The Philippine booth at TRAVEX 2026 integrates repurposed architectural and design elements from the Philippine Pavilion at Expo 2025 Osaka, demonstrating sustainability as a working practice while hosting business-to-business meetings with international buyers at Mactan Expo.
CEBU, PHILIPPINES — True to its promise of a life beyond Expo 2025 Osaka, the Philippine Pavilion continues its journey at the ASEAN Travel Exchange (TRAVEX) 2026, where materials once presented on the global stage are reintroduced within a regional tourism trade setting.
Organized by the Tourism Promotions Board (TPB) Philippines, the Philippine TRAVEX booth demonstrates sustainability as a working practice. Approximately 70 percent of the booth’s components—including rattan architectural elements and handwoven textile panels crafted by Filipino artisans—have been repurposed from the Expo Pavilion, extending the value of cultural investments while keeping community craftsmanship at the center of tourism promotion.
From Global Showcase to Trade Platform
At Expo 2025 Osaka, the Philippine Pavilion was distinguished by a façade of 212 handwoven textile panels and sustainably sourced rattan, bringing together weaving traditions from across the country. Its design and execution earned the Silver Plaque for Exhibition Design from the Bureau International des Expositions (BIE), recognizing excellence in cultural storytelling and visitor experience.
At TRAVEX 2026, four of the 18 large-scale handwoven artworks originally displayed inside the Pavilion are featured at the Philippine booth. Representing Davao, Cebu, Bicol, and Ilocos, these works offer trade delegates a closer encounter with regional identity expressed through material, design, and narrative—now reframed for a business-to-business environment.
Craft, Community, and Continuity
The continued use of these artworks reflects a core principle of community-based tourism: that cultural production should create lasting economic opportunity for the communities behind it. By carrying these pieces forward, the Philippines reinforces how artisan knowledge, local materials, and regional stories can remain active contributors to tourism trade and product development.
Handwoven textile artworks originally showcased at the Philippine Pavilion at Expo 2025 Osaka are reintroduced at TRAVEX 2026. These pieces offer delegates a closer encounter with regional identity within a trade-focused setting.
Within TRAVEX, the booth anchors conversations around destination readiness, sustainable offerings, and community-led tourism—key considerations for buyers and sellers seeking meaningful, long-term partnerships.
“Expo 2025 Osaka gave the Philippines strong visibility on the global stage,” said TPB Chief Operating Officer Maria Margarita Montemayor Nograles. “Bringing these materials into TRAVEX allows that momentum to continue—where cultural presentation supports real business conversations, and global exposure translates into partnerships that benefit our communities.”
Following TRAVEX 2026, selected Pavilion elements will be transferred to the National Museum of the Philippines, ensuring that what began as a global exhibition continues to be accessible to Filipinos and visitors in the years ahead.
A scale model highlights the design language of the Philippine Pavilion at Expo 2025 Osaka. Elements of the pavilion, including rattan structures and woven components, have been repurposed for the Philippine booth at TRAVEX 2026, extending the pavilion’s life beyond the global expo.
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ABOUT TPB
The Tourism Promotions Board (TPB) Philippines is an attached agency of the Department of Tourism, mandated to market and promote the country both domestically and internationally as a world-class tourism and MICE destination. This is carried out through strategic partnerships with public and private stakeholders, anchored on travel trade shows and business meetings.
Reference:
Atty. Kristina M. de Guzman
Division Chief
Media Relations and Communications Division
[email protected]
